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- Hindustani Music exam is for 100 marks in total
- Theory is for 30 Marks
- Time alloted for the theory exam is 2 Hours
- Practical (External Assessment) is of 70 marks
- External Examiners are supposed to put up questions from the syllabus itself
- Marks are awarded according to the marking scheme
- External Examiners will assign or allot the marks during the practicals
|S no.||Value Points||Marks Distribution|
|1||Choice Raga (Vilambit and Drut Khayal)||10+5=15|
|2||Examiner’s Choice Ragas||10|
|3||One Tarana and one Dhamar with dugun and Chaugun||05+05=10|
|4||One Composition of Sadra or Dadra||06|
|6||Identification of Ragas||05|
|7||Reciting the Thekas of Prescribed Talas with hand beats in Thah and Dugun and Chaugun||05+05=10|
|8||Tuning of Tanpura and questions||05|
- Theory -60 periods
- Time: 02 hours
- Marks: 30
- Questions to be set with internal choice covering the entire syllabus unit wise
- Students are supposed to do at least a question from each unit.
Brief study of Alankar, Varna, Kan, Meend, Khatka, Murki, Gamak.
Brief study of the Sadra, Dadra, Gram, Murchhana, Alap, Tana.
Study of Classification of Ragas- Anicent, Medieval and modern
|2.2||Historical development of time theory of Ragas||06|
Detail study of Sangeet Ratnakar and Sangeet Parijat
Life sketch and Cotribution of Abdul Karim Khan, Faiyaz, Khan, Bade Ghulam Ali Khan, Krishna Rao Shankar Pandit
Description of Prescribed Talas along with Tala
Notation- Thah, Dugun, Tigun and Chaugun
|Study of various parts and tuning of Tanpura||05|
Critical study of Prescribed Ragas along with recognizing Ragas from phrases of Swaras and elaborating them
Writing in Notation the Compositions of Prescribed ragas.
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- Practical: 160 periods
- Marks: 70
Two Vilambit Khayal with simple explaination and few in any two of the prescribed Ragas.
One Drut Khyal woth simple explaination and some tanas in the following Ragas-
One Tarana and one Dhamar with dugun, Chaugun in any one of the oprescribed Ragas.
One composition of Sadra or Dadra and folk song
Skills to identify the Ragas from the phrases of swaras rendered by the examiner.
Recitation of the Thekas of Jhaptala, Rupak, Tilwada and Dhamar with Dugun and Chaugun, keeping tala with hand beats.
Awareness of the structure and tuning of Tanpura
Source: safalta.comCandidates can refer to the information given above for NCERT Syllabus for Class 12 Hindustani Music.
How many units are there in the NCERT Syllabus for Class 12 Hindustani Music?
Is practical included in the NCERT Syllabus for Class 12 Hindustani Music?
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NCERT Syllabus for Class 12 Hindustani Music PDF